一样的次序在吴昌硕手里俗不可医，到了王人白石手里，腐臭变神奇

王人白石的有些话题引起好多争议。比如王人白石到底画得好不好，画俗气仍是精好意思，他和吴昌硕谁画得更好。无意今天读到朱新建推崇王人白石的不雅点，共享给环球。

朱新建说：我以为王人白石是一个十分好的画家。其实他是向湖南的小画家学画画，和小文东谈主学写诗，但都比他的熟谙们好得太多了。为什么？王人白石本色上是对好意思的嗅觉太好了，手与眼睛和心灵的合股又教训过一段时辰，对文东谈主画也十分地珍摄。

他若何读文东谈主画呢？在文东谈主画里的一些好意思，和他在当然生涯中看到的好意思重迭的场合，即是他最感动的场合，而这是最实在的，他在这些场合很明锐。

他用的是吴昌硕征战的所谓大写意的神色，一样的次序在吴昌硕手里俗不可医，即是恭维读者，恭维不雅众，卖弄手段，什么病都出现了；到了王人白石手里，腐臭变为神奇。就像一个褴褛花棉袄穿在吴昌硕身上，一副穷酸相，穿在王人白石身上，太排场了，没主义。

王人白石属于天生禀赋太好，我以为王人白石是一个不自发的大画家。他可能告诉咱们一个道理：艺术家是学不可的，是天生的。

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